1 Munandar, Agus Aris, et al. Sejarah Permuseuman di Indonesia. Jakarta: Direktorat Permuseuman, 2011. pp.14-15.
2 Kusuma, Erwien. Kuasa Kuratorial dalam Tata Pamer Museum, Academia. Accessed online on May 13, 2022. pp. 3. https://www.academia.edu/41800140/Kuasa_Kuratorial_dalam_Tata_Pamer_Museum
4 Susantio, Djulianto. Moh. Amir Sutaarga, Kamus Hidup Permuseuman in Majalah Museografia Vol. VI, No. 9 – Juli 2012. Jakarta: Direktorat Pelestarian Cagar Budaya dan Permuseuman. 2012. Accessed online on May 13, 2022. https://museumku.wordpress.com/2012/09/14/moh-amir-sutaarga-kamus-hidup-permuseuman/
5 Flores, Patrick D.. Past Peripheral: Curation in Southeast Asia. Singapore: NUS Museum. 2008.
6 Hujatnikajennong, Agung. Kurasi dan Kuasa: Kekuratoran dalam Medan Seni Rupa Kontemporer di Indonesia. Jakarta: Marjin Kiri. 2015.
7 Supangkat, Jim. Kemunculan Kerja Kurasi di Indonesia pada 1990 dan Latar Belakangnya. Proceedings of the Imagined Curatorial symposium at Bandung Institute of Technology. August 8-10, 2018.
8 Stolley, Richard B.. An Anguished Search for Signs of A Missing Son in LIFE Magazine December 1, 1961. Accessed online on May 13, 2022. pp. 40-46. https://books.google.co.id/books?id=AVQEAAAAMBAJ&lpg=PP1&pg=PP1#v=onepage&q&f=false
9 Goo, Andreas (ed.). Grup Mambesak: simbol kebangkitan kebudayaan orang Papua Proto. Jayapura: Uncen Press dan Lembaga Studi Meeologi Press. 2019.
11 Ibrahim, Raka. Arnold Ap: Papua’s lost cultural crusader gets long-delayed recognition in Jakarta Post September 2, 2021. Accessed online on May 13, 2022. https://www.thejakartapost.com/life/2021/09/02/arnold-ap-papuas-lost-cultural-crusader-gets-long-delayed-recognition.html
12 Nggalu, Eka Putra. Membayangkan Kembali Bikon Blewut in Laune April 29, 2022. Accessed online on July 1, 2022. https://laune.id/membayangkan-kembali-bikon-blewut/
13 Hikon, Jefron (ed.). Napak Tilas Berdirinya Museum Bikon-Blewut in Museumbikonblewut Maret 03, 2021. Accessed online on July 1, 2022. https://museumbikonblewut.blogspot.com/2021/03/napak-tilas-berdirinya-museum-bikon.html
15 Ngo, Defri. Re-Imagine Bikon Blewut; Efforts to Live in Biennale Jogja September 30, 2021. Accessed online on July 1, 2022. https://biennalejogja.org/2021/en/re-imagine-bikon-blewut-efforts-to-live
16Clifford, J.. ‘Museums as contact zones’ in Routes: Travel and Transformation in the Late Twentieth Century. Cambridge MA: Harvard University Press. 1997.
1 Munandar, Agus Aris, et al. Sejarah Permuseuman di Indonesia. Jakarta: Direktorat Permuseuman, 2011. pp.14-15.
2 Kusuma, Erwien. Kuasa Kuratorial dalam Tata Pamer Museum, Academia. Accessed online on May 13, 2022. pp. 3. https://www.academia.edu/41800140/Kuasa_Kuratorial_dalam_Tata_Pamer_Museum
4 Susantio, Djulianto. Moh. Amir Sutaarga, Kamus Hidup Permuseuman in Majalah Museografia Vol. VI, No. 9 – Juli 2012. Jakarta: Direktorat Pelestarian Cagar Budaya dan Permuseuman. 2012. Accessed online on May 13, 2022. https://museumku.wordpress.com/2012/09/14/moh-amir-sutaarga-kamus-hidup-permuseuman/
5 Flores, Patrick D.. Past Peripheral: Curation in Southeast Asia. Singapore: NUS Museum. 2008.
6 Hujatnikajennong, Agung. Kurasi dan Kuasa: Kekuratoran dalam Medan Seni Rupa Kontemporer di Indonesia. Jakarta: Marjin Kiri. 2015.
7 Supangkat, Jim. Kemunculan Kerja Kurasi di Indonesia pada 1990 dan Latar Belakangnya. Proceedings of the Imagined Curatorial symposium at Bandung Institute of Technology. August 8-10, 2018.
8 Stolley, Richard B.. An Anguished Search for Signs of A Missing Son in LIFE Magazine December 1, 1961. Accessed online on May 13, 2022. pp. 40-46. https://books.google.co.id/books?id=AVQEAAAAMBAJ&lpg=PP1&pg=PP1#v=onepage&q&f=false
9 Goo, Andreas (ed.). Grup Mambesak: simbol kebangkitan kebudayaan orang Papua Proto. Jayapura: Uncen Press dan Lembaga Studi Meeologi Press. 2019.
11 Ibrahim, Raka. Arnold Ap: Papua’s lost cultural crusader gets long-delayed recognition in Jakarta Post September 2, 2021. Accessed online on May 13, 2022. https://www.thejakartapost.com/life/2021/09/02/arnold-ap-papuas-lost-cultural-crusader-gets-long-delayed-recognition.html
12 Nggalu, Eka Putra. Membayangkan Kembali Bikon Blewut in Laune April 29, 2022. Accessed online on July 1, 2022. https://laune.id/membayangkan-kembali-bikon-blewut/
13 Hikon, Jefron (ed.). Napak Tilas Berdirinya Museum Bikon-Blewut in Museumbikonblewut Maret 03, 2021. Accessed online on July 1, 2022. https://museumbikonblewut.blogspot.com/2021/03/napak-tilas-berdirinya-museum-bikon.html
15 Ngo, Defri. Re-Imagine Bikon Blewut; Efforts to Live in Biennale Jogja September 30, 2021. Accessed online on July 1, 2022. https://biennalejogja.org/2021/en/re-imagine-bikon-blewut-efforts-to-live
16 Clifford, J.. ‘Museums as contact zones‘ in Routes: Travel and Transformation in the Late Twentieth Century. Cambridge MA: Harvard University Press. 1997.
阿佑斯・波宛吉(Ayos Purwoaji)是一位策展人與作家,長期以來探討歷史、建築和視覺藝術的三者交互作用的關係。 他自2015年以來參與多個展覽和策展項目,部分計畫反應了他對於常民檔案和集體記憶實踐的特別關注。他也是泗水當代遺產委員會(SCHC)的共同創辦者,此跨領域組織以探索文化遺產的批判性表述為核心,尤其關注東南亞地區。 他亦是 Kelompok Kurator Kampung 的成員,該團體實驗藝術參與社會生活的理念,並鼓勵在邊緣化社區的日常生活中進行策展實踐。 阿佑斯(Ayos Purwoaji)目前在印尼泗水Ciputra 大學擔任文化研究講師。