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The Economy of Curation and the Capital of Attention

The Economy of Curation and the Capital of Attention
Introduction
Hongjohn Lin
Exhibition-making inevitably involves an economy of curation, a challenge particularly crucial for independent curators aiming to realize their curatorial visions. This economic aspect reveals a wide range of concerns: from budget management and securing funding to determining the scale of exhibitions, overseeing installation processes, and navigating cultural policies. These practical concerns serve as a constant reality check, standing in contrast to the often idealized public image of curatorial practice. Moreover, this economy of curation is closely tied to what is known as “attention capital,” whereby visibility and audience engagement frequently dictate the perceived success or failure of an exhibition.
Issue 13 The Economy of Curation and the Capital of Attention
Freda Fiala
It is intriguing to imagine Bauhaus founder, architect Walter Gropius, and theater director Erwin Piscator sitting together in 1927, pondering the sketches of their shared vision of the “Totaltheater” (lit. “total theater”). They hoped to create a theater that could break free from the rigid structures of the conventional proscenium stage and combine different stage models within a single, dynamic space. Gropius’s solution was a rotating and mobile platform that could change the audience’s perspective mid-performance. Beyond the mechanical innovation, he envisaged the integration of light and film projections to expand the theatrical space and intensify the experience.
Issue 13 The Economy of Curation and the Capital of Attention
Tzu Tung Lee
For 38 years, the Katratripulr Indigenous community has resisted the appropriation of their ancestral wetland. First taken in 1985 by the Taitung government to build “Asia’s first Disneyland,” the wetland was later re-appropriated for solar energy development as Taiwan shifted toward green initiatives. Generations of Katratripulr children have grown up as activists, fighting for their traditional territory.
Issue 13 The Economy of Curation and the Capital of Attention
Yenchi Yang
Oikonomia means administration of the house. In the Aristotelian (or pseudo-Aristotelian) treatise on economy, we can thus read that the technē oikonomikē differs from politics just as the house (oikia) differs from the city (polis). This distinction is restated in the Politics, in which the politician and the king—who belong to the sphere of the polis—are qualitatively opposed to the oikonomos and the despotēs—who are referred to the sphere of the house and the family.
Archive
Archive
Issue 13 The Economy of Curation and the Capital of Attention
Introduction / The Economy of Curation and the Capital of Attention Hongjohn Lin
The Taipei Performing Arts Center and the Bauhaus – The Visceral Economy of “Avant-Garde” Freda Fiala
Forking Sovereignty! Mutates Through Contagion Tzu Tung Lee
In Praise of Troubleness Yenchi Yang

Issue 12 Grassroots Curating in Asia
Introduction / Grassroots Curating in Asia Zian Chen
Strolling and Catching a Show: On the Performance Walks of Macau-Based Art Group“Step Out” Wu Sih-Fong
Queers and Art in Precarity: Reflections on NGOs and Curatorial Practices in Beijing Yang Zi
Musing the Artistic Alchemy: Reflections on the Artist-Curator Model of the Kochi-Muziris Biennale Anushka Rajendran

Issue 11 Ethics of Flourishing Onto-Epistemologies
Introduction / Ethics of Flourishing Onto-Epistemologies Sandy Hsiu-chih Lo
A Chronicle of “the Open World” and the Chiang Rai Biennale 2023 Sorayut Aiem-UeaYut
The Exhibition Is Not Enough: Evolving Trends in Indonesian Art Biennials Ayos Purwoaji
Streaming Discourse: Phnom Penh as Currents of Dialogues Pen Sereypagna and Vuth Lyno

Issue 10 Exhibition Amnesia
Introduction / Exhibition Amnesia, or, the Apparatus of Speculative Curating Hongjohn Lin
How to Build an Exhibition Archive - A Preliminary Proposal from a Generative Studies Perspective Lin Chi-Ming
Reformulating the Architecture of Exhibitions Miya Yoshida
Orality and Its Amnesia in the Mist of Metalanguage Tai-Sung Chen

Issue 9 Curating Against Forgetting
Editorial / Transgressing Epistemic Boundaries Zian Chen
Icon and Network: Solidarity’s Mediums and a Materialist Internationalism Ho Rui An
Settlers and the Unhomely: The Cinematic Visions of Infrastructure in Eastern Taiwan Zian Chen and Chi-Yu Wu
Memories of Underdevelopment: Revisiting Curatorial Methods and the Asian Context Wan-Yin Chen

Issue 8 Reformatting Documenta with lumbung Formula: documenta fifteen
Editorial / Reformatting documenta with lumbung Formula: documenta fifteen Sandy Hsiu-chih Lo
Harvesting and a Single Story of Lumbung Putra Hidayatullah
The Politics in the Ramayana / Ramakien in documenta fifteen: Decoding the Power of the Thai Ruling Class Jiandyin
Malaise of Commons: on the Quality of the Relationships in documenta fifteen Hsiang-Pin Wu

Issue 7 The Heterogeneous South
Editorial / The Heterogeneous South Hongjohn Lin
The South - An art of asking and listening Manray Hsu
Uncharted Territory: The Roots of Curatorial Practices in Eastern Indonesia Ayos Purwoaji
South Fever: The South as a Method in Taiwan Contemporary Curating Pei-Yi Lu

Issue 6 The Beginning of Curating
Editorial / The Beginning of Curating Sandy Hsiu-chih Lo
Are Curators Really Needed? Bùi Kim Đĩnh
The Documents 15 and the Concept of Lumbung ruangrupa
The Three Axes of Curating: Ethics, Politics, and Aesthetics Sandy Hsiu-chih Lo

Issue 5 Curatorial Episteme
Editorial / Curatorial Episteme Hongjohn Lin
Epistemic Encounters Henk Slager
The Curatorial Thing Hongjohn Lin
Ethics of Curating Meng-Shi Chen

Issue 4 Curatorial Consciousness in the Times of Post-Nationalism
Editorial / Curatorial Consciousness in the Times of Post-Nationalism Manray Hsu
When Kacalisian Culture Meets the Vertical City: Contemporary Art from Greater Sandimen Manray Hsu
Pathways and Challenges: Art History in the Context of Global Contemporary Art Jau-Lan Guo
Curating Commemoration: Conditions of Political Choreography, a Performance Exhibition in Retrospect Sophie Goltz

Issue 3 Curating Performativity
Editorial / Curating Performativity I-wen Chang
Choreographing Exhibitions: Performative Curatorgraphy in Taiwan I-wen Chang
Living and Working Together in the Now Normal: Visual Arts and Co. at Bangkok Art and Culture Centre Pawit Mahasarinand
The Curatorial as A Praxis of Disobedience Miya Yoshida

Issue 2 Curators' Living Rooms
Editorial / Curators' Living Rooms Sandy Hsiu-chih Lo
Extended Living Room: Space and Conversation ruangrupa(Ade Darmawan, Mirwan Andan)
Freeing the Weights of the Habitual Raqs Media Collective
Curating Topography Sandy Hsiu-chih Lo

Issue 1 Curatography
Editorial / One Step Forward, Two Steps Backward Hongjohn Lin
What is Curatography? Hongjohn Lin
Les fleurs américaines Yoann Gourmel, Elodie Royer
There are No Blank Slates Eileen Legaspi Ramirez
Issue 13 The Economy of Curation and the Capital of Attention

Issue 12 Grassroots Curating in Asia

Issue 11 Ethics of Flourishing Onto-Epistemologies

Issue 10 Exhibition Amnesia

Issue 9 Curating Against Forgetting

Issue 8 Reformatting documenta with lumbung Formula: documenta fifteen

Issue 7 The Heterogeneous South

Issue 6 The Beginning of Curating

Issue 5 Curatorial Episteme

Issue 4 Curatorial Consciousness in the Times of Post-Nationalism

Issue 3 Curating Performativity

Issue 2 Curators' Living Rooms

Issue 1 Curatography