“documenta 15”, held last year and directed by the Indonesian group ruangrupa, proposed a curatorial concept based on the spirit of lumbung, which means granary in Indonesian. In fact, there are similar traditional buildings used to store grain and seeds and associated with the meanings of resource-sharing and crisis prevention in many cultures. ‘Extended Living Room: Space and Conversation’, a conversation between ruangrupa members Ade Darmawan and Mirwan Andan, in Cartography Issue 2 “Curators’ Living Rooms,” discussed how to employ traditional local knowledge like lumbung and collaborative practice in a “chit-chat and hanging out” (nongkrong) way, thereby art and life can rebuild their intimate relationship without reducing each other. ‘The Documents 15 and the Concept of Lumbung’ in Issue 6 “The Beginning of Curating” published diverse drawings drawn by members of rangrupa. To sum up, lumbung regards the collective as a group that lives and works together, practice as a way to do things and solve problems, and the relationship network as a circle of friends. Distributed in several main exhibition areas in Kassel, 14 lumbung members have gathered a group of friends to live and work together, creating a colorful and fragrant atmosphere for a harvest feast that stimulates all five senses. Compared with the collection of readers and exhibition catalog with a solid academic nature published by Documenta 11, lumbung‘s publications, mainly graphic books, storybooks, and magazines, are easy to understand and readable.