ISSUE 6 The Beginning of Curating
The Documents 15 and the Concept of Lumbung
1 Parts of this essay are based on material that I included in an article and a book chapter:
  • Bùi Kim Đĩnh 2021. “Nổ Cái Bùm in Huế and Đà Lạt” on Art and Market, April 08, 2021.
  • Bùi Kim Đĩnh 2022. “Movements of Independent Art in Contemporary Vietnam.” Jonathan D. London ed., Routledge Handbook of Contemporary Vietnam. Routledge 2022.
2 Content is based on my interviews and conversations with NCB’s organizers and artists conducted between January and August 2021.
3 Content of AQM is based on my interviews and conversations with artist Đinh Thị Nhung conducted between April and August 2021.
Share
Email
Twitter
Facebook
Author
ruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences, politics, technology, media, etc, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition, festival, art lab, workshop, research, as well as book, magazine and online-journal publication.
As an artists’ collective, ruangrupa has been involved in many collaborative and exchange projects, including participating in big exhibitions such as Gwangju Biennale (2002 & 2018), Istanbul Biennial (2005), Asia Pacific Triennial of Contemporary Art (Brisbane, 2012), Singapore Biennale (2011), São Paulo Biennial (2014), Aichi Triennale (Nagoya, 2016) and Cosmopolis at Centre Pompidou (Paris, 2017). In 2016, ruangrupa curated TRANSaction: Sonsbeek 2016 in Arnhem, NL.
From 2015-18, ruangrupa co-developed a cultural platform Gudang Sarinah Ekosistem together with several artists’ collectives in Jakarta, located at Gudang Sarinah warehouse, Pancoran, South Jakarta. It is a cross-disciplinary space that aims to maintain, cultivate and establish an integrated support system for creative talents, diverse communities, and various institutions. It also aspires to be able to make connections and collaborate, to share knowledge and ideas, as well as to encourage critical thinking, creativity, and innovations. The results of these joint collaborations are open for public access—and presented with various exhibitions, festivals, workshops, discussions, film screenings, music concerts, and publications of journals.
In 2018, learning from their experience establishing Gudang Sarinah Ekosistem and together with Serrum and Grafis Huru Hara, ruangrupa co-initiated GUDSKUL: contemporary art collective and ecosystem studies (or Gudskul, in short, pronounced similarly like “good school” in English). It is a public learning space established to practice an expanded understanding of collective values, such as equality, sharing, solidarity, friendship and togetherness.
Archive
Archive

Issue 6 The Beginning of Curating
Editorial / The Beginning of Curating Sandy Hsiu-chih Lo
Are Curators Really Needed? Bùi Kim Đĩnh
The Documents 15 and the Concept of Lumbung ruangrupa
The Three Axes of Curating: Ethics, Politics, and Aesthetics Sandy Hsiu-chih Lo

Issue 5 Curatorial Episteme
Editorial / Curatorial Episteme Hongjohn Lin
Epistemic Encounters Henk Slager
The Curatorial Thing Hongjohn Lin
Ethics of Curating Meng-Shi Chen

Issue 4 Curatorial Consciousness in the Times of Post-Nationalism
Editorial /​ Curatorial Consciousness in the Times of Post-Nationalism Manray Hsu
When Kacalisian Culture Meets the Vertical City: Contemporary Art from Greater Sandimen Manray Hsu
Pathways and Challenges: Art History in the Context of Global Contemporary Art Jau-Lan Guo
Curating Commemoration: Conditions of Political Choreography, a Performance Exhibition in Retrospect Sophie Goltz

Issue 3 Curating Performativity
Editorial /​ Curating Performativity I-wen Chang
Choreographing Exhibitions: Performative Curatorgraphy in Taiwan I-wen Chang
Living and Working Together in the Now Normal: Visual Arts and Co. at Bangkok Art and Culture Centre Pawit Mahasarinand
The Curatorial as A Praxis of Disobedience Miya Yoshida

Issue 2 Curators' Living Rooms
Editorial /​ Curators' Living Rooms Sandy Hsiu-chih Lo
Extended Living Room: Space and Conversation ruangrupa(Ade Darmawan, Mirwan Andan)
Freeing the Weights of the Habitual Raqs Media Collective
Curating Topography Sandy Hsiu-chih Lo

Issue 1 Curatography
Editorial /​ One Step Forward, Two Steps Backward Hongjohn Lin
What is Curatography? Hongjohn Lin
Les fleurs américaines Yoann Gourmel, Elodie Royer​
There are No Blank Slates Eileen Legaspi Ramirez​
Issue 6 The Beginning of Curating

Issue 5 Curatorial Episteme

Issue 4 Curatorial Consciousness in the Times of Post-Nationalism

Issue 3 Curating Performativity

Issue 2 Curators' Living Rooms

Issue 1 Curatography