ISSUE 6 The Beginning of Curating
The Documents 15 and the Concept of Lumbung
1 Parts of this essay are based on material that I included in an article and a book chapter:
  • Bùi Kim Đĩnh 2021. “Nổ Cái Bùm in Huế and Đà Lạt” on Art and Market, April 08, 2021.
  • Bùi Kim Đĩnh 2022. “Movements of Independent Art in Contemporary Vietnam.” Jonathan D. London ed., Routledge Handbook of Contemporary Vietnam. Routledge 2022.
2 Content is based on my interviews and conversations with NCB’s organizers and artists conducted between January and August 2021.
3 Content of AQM is based on my interviews and conversations with artist Đinh Thị Nhung conducted between April and August 2021.
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ruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences, politics, technology, media, etc, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition, festival, art lab, workshop, research, as well as book, magazine and online-journal publication.
As an artists’ collective, ruangrupa has been involved in many collaborative and exchange projects, including participating in big exhibitions such as Gwangju Biennale (2002 & 2018), Istanbul Biennial (2005), Asia Pacific Triennial of Contemporary Art (Brisbane, 2012), Singapore Biennale (2011), São Paulo Biennial (2014), Aichi Triennale (Nagoya, 2016) and Cosmopolis at Centre Pompidou (Paris, 2017). In 2016, ruangrupa curated TRANSaction: Sonsbeek 2016 in Arnhem, NL.
From 2015-18, ruangrupa co-developed a cultural platform Gudang Sarinah Ekosistem together with several artists’ collectives in Jakarta, located at Gudang Sarinah warehouse, Pancoran, South Jakarta. It is a cross-disciplinary space that aims to maintain, cultivate and establish an integrated support system for creative talents, diverse communities, and various institutions. It also aspires to be able to make connections and collaborate, to share knowledge and ideas, as well as to encourage critical thinking, creativity, and innovations. The results of these joint collaborations are open for public access—and presented with various exhibitions, festivals, workshops, discussions, film screenings, music concerts, and publications of journals.
In 2018, learning from their experience establishing Gudang Sarinah Ekosistem and together with Serrum and Grafis Huru Hara, ruangrupa co-initiated GUDSKUL: contemporary art collective and ecosystem studies (or Gudskul, in short, pronounced similarly like “good school” in English). It is a public learning space established to practice an expanded understanding of collective values, such as equality, sharing, solidarity, friendship and togetherness.
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Curatography Issue 14 - Curating and Re‑public / Re‑commons

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Curatography Issue 11 - Ethics of Flourishing Onto-Epistemologies

Curatography Issue 10 - Exhibition Amnesia, or, the Apparatus of Speculative Exhibition

Curatography Issue 9 - Curating Against Forgetting

Curatography Issue 8- Reformatting documenta with lumbung Formula: documenta 15

Curatography Issue 7 - The Heterogeneous South

Curatography Issue 6 - The Beginning of Curating

Curatography Issue 5 - Curatorial Episteme

Curatography Issue 4 - Curatorial Consciousness in the Times of Post-Nationalism

Curatography Issue 3 - Curating Performativity

Curatography Issue 2 - Curators’ Living Rooms

Curatography Issue 1 - Curatography