ISSUE 15 2025
What Is to Be Done in Curating?
Queer Exercises for Deep Time Thinking

“Can the future stop being a fantasy of heterosexual reproduction?”1
José Esteban Muñoz.

The modern industrial concept of time has pinned our productivity to the clock face and flattened our imagination, reducing our capacity to create different connections with other beings on Earth. Would it be possible to undo this concept and consider time not as a linear procession, but as currents that swirl around us? Or, can the future approach us from behind instead of waiting in front of us?2 How can we perhaps try to think like a mountain and hold millions of years of memory in one breath? Can deep time, as a conceptual framework, shed new light on how we might decenter human experience and access planetary thinking? Today, we are dealing with Anthropocene problems with only carbon dioxide data on the table, forgetting that we are confronting the consequences of a geological epoch shaped by capitalist extractivism and human greed—forces far more complex than carbon economics. Certainly, we fail to provide persuasive evidences to tell the story, followed by further failure to provide any remedy as Earth’s temporality unfolds on a scale almost incomprehensible to us—especially when we remain preoccupied with the countdown toward catastrophe. We are just yet to begin to understand that ecological politics implies humans must learn to act reciprocally and meaningfully with the more-than-humans world. How can we allow for more-than-human agencies coming into play and be less anthropocentric in our everyday practice? What if we try to approach this via queer eco-feminist thinking, which offers more generative tools to challenge the linear, progress-driven understanding of time, and to navigate these questions aligned with deep time thinking, climate crisis, and trans-species communion? It is time to undo the normative hierarchies of species, bodies, and relations—to think queerly, worldly, and act slowly and softly.

1 Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity 10th Anniversary Edition. New York and London: New York University Press, 2019. p. 49
2 The Aymara people, located in what is now Bolivia, Peru, and Chile, conceptualize time in reverse compared to typical Western metaphors.

Lessons from the Valley

I was propelled to dive into deep time thinking via many encounters with both humans and non-humans during my stay in Valley of Possible, a six-week residency program in southern Chile anchored in ecological concerns. During that period, around the early 2020’s, I was deeply enthusiastic about my ongoing research on fungi and bryophyte, greatly inspired—like many others—by Anna Lowenhaupt Tsing and Robin Wall Kimmerer. 3 I signed up for the residency particularly because it included workshops with local botanists and wildlife experts, offering field trips closely tied to these themes. I was not a stranger to the ideas of learning from other species, knowing that their incredible biological attributes, capacities, behaviors, and interactions with other beings and humans actually held far more forms of intelligence than we typically recognize. However, little did I know how much more I would continue to learn from the entangled and fermented relations, knowledge, and ideas rooted in that experience. Much of my reading and practice, both prior to and after the residency, has since been interwoven into a mycelium-like network, initiating some new fruitful fungal time—untamed, bridging, ephemeral and enduring all at once.

One of the most memorable learnings for me came from a rare occasion to visit a spiritual leader from the Mapuche community, the local indigenous tribe in the southern Andes. In the most exquisite and poetic language—woven with heartfelt chanting and countless references to his and his ancestral dreams—the machi (shaman) elaborated his introduction around the fireplace in his ruka house, “For Mapuche people, our children learn to become soil first.” 4

This powerful intergenerational affirmation struck me as an epiphany. My eyes were burning from the smoky air, as my mind swelled with wonder. If this had been the first lesson of my life, what kind of cosmovision would I have grown up with? Would it be all about learning from fauna and flora? Knowledge about farming or foraging? Having different kinds of kin? About reciprocity? The equality of living rights among beings? The cancellation of property ownership? The cycles of matter and life? What—and how long— does it take to form soil? Running with my train of thought with contemporary vernaculars, my mind was completely blown open as the machi contrasted this trajectory with the Western idea of the self, “Then, we learn to become we, and finally to maybe think about who I am.”

“Becoming soil” was the first deep time thinking exercise for me. Soil is never pure. Soil is all inclusive. Always be-with. It is fluid and transforming. It is the milk of mother earth. It is where death belongs. If we all learned to become soil, the world wouldn’t be full of ego, of every I roaming around to claim borders. We would be soft and softer in making offerings for others. It was one of the most queer statements I could possibly imagine, and I knew I was not just listening to the machi’s voice at that point. I was listening to them—the words from him and his ancestors, the animals sharing his territory and his dreams, the echoes in the water and the mountain around—in anthropologist Marisol de la Cadena’s word, from the “earth beings,” which refers to “a presence that blurred the known distinction between humans and nature…Emerging from these relations is a socio-natural region that participates of more than one mode of being.”5

On another raining morning, our guest lecturer, Pedro Drapela Morin, led us into the microscopic world of bryophyte. We sauntered into the miniature forest along the creek, and learned about their cross-species symbiotic strategy for survival and collaboration. It seems that mosses lent us some soft magic, as our sense of spatial scale shifted and our attention turned to different textures and details. After the observation session, our following conversation somehow became extremely gentle and caring—encompassing our cultures and ways of beings. It felt like a group of strangers had suddenly taken a collective leap into an abyss, engaging in soul-to-soul dialogue. Later we came up with our secret lexicon: “lichen hour”—to name those moments that we collapse and cuddle together when we feel vulnerable and depending on one another. Lichen hour was how we acknowledged our personal limits and embraced an extended body to laugh and cry within. I didn’t know lichen could teach me love until that moment revealed it.

My roommate Marit Mihklepp, an artist from Estonia, collected stones for her work. Our room was filled with volcano stones and river stones, hand-picked from the nearby canyon. On our walks around the valley, we encountered delicate frost flowers blossoming on stones I was almost lured to harvest; stones that could be opened like 3D puzzles; and stones that crumbled between our fingers. I was led to wonder, among our room display, how stone always silently dances with great force on Earth, while we are mostly busy dancing with humans. This thought led to another flash from the residency. On one of our jolly dancing nights (there wasn’t much to do in a rural farm house with no internet and light too dim to read) we were caught off guard, half naked, tipsy and red-faced, by the arrival of our guest lecturer. Milton Almonacid, a Mapuche philosophy academic and our weekly special guest, walked into the living room with his mother. We rushed to get more properly dressed and switch off the music, not knowing what kind of serious brain exercise awaited us the next morning.

Milton elaborated on how the Western idea of growth and progress, connected to the linear time notion, diminishes other temporalities, rhythms, orientations. In a full lecture supported by both historical facts and observation of our everyday practice and pursuit, he argued that this process ultimately leads to an unsustainable dead end. After presenting a comparative reading on the Mapuche notion of time, he then challenged us to consider what we would be willing to give up—if we could live with less than what we were born with—and engaged us in the workshop exercise focused on “de-growth,” rather than accumulation and efficiency in our lives. It was not an easy exercise, but rather a hard punch that forced us to delve into our everyday politics and life purpose. How do we quench our relentless desire for more, and for normative social establishment? I did not and could not acquire any easy answers. However, during that six-week residency in the colorful autumn, I was repeatedly prompted to contemplate how I might synchronize my rhythm with other beings, instead of following standard Greenwich time. I learned it from fungi, lichen, stone, celestial bodies and my new Mapuche friends. I learned it from my loved ones, in multiple forms.

3 Here I am referring to Anna Lowenhaupt Tsing as the author of The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, and Robin Wall Kimmerer as the author of Gathering Moss: A Natural & Cultural History of Mosses.
4 Valley of Possible organized a special group visit to a Mapuche machi on May 29, 2022. We spent time learning and exchanging our past and future with the machi and his wife from midday until the starry night.
5 De La Cadena, Marisol. Earth Beings: Ecologies of Practice Across Andean Worlds. Durham and London: Duke University Press, 2015., p. 5

Becoming-With

Yasmine Ostendorf-Rodríguez was working on her book, a comprehensive account of her interviews and field studies across Latin America researching fungi through female voices, blending with her professional contemporary art background to share twelve teachings from the complex network of fungi. I was unaware how many of our shared experiences in the residency would be recorded in the book, revealing a parallel yet asymmetric navigation for me. Let’s Become Fungal6 speaks about how her mind travels through places, meeting human and non-human figures, and weaving stories, events, forests, and the art world, connecting all into a mycelium network. Each mushroom, every river and being appears as characters in her writing. Moreover, in these teachings inspired by the ways fungi grow, behave and interact, she addresses various approaches for symbiotic living and alternative values amid our destructed surroundings and urges us to think otherwise—for instance, how to understand the closeness of toxicity, re-think decay and decomposition, escape categorization, etc.

The book pushes me to think further about how to mirror our care for the climate crisis through learning from other beings. If “become soil” taught me about the hidden knowledge coded among more-than-humans, then “become fungal” is, for me, derived from a deep reflection on the interdependence of matters and beings. It suggests a radical reshaping of our senses, sympathies and relations, which—like the mycorrhizal network—can be both metaphor and material practice for growing non-binary relationality and de-centralized connectivity.

6 Ostendorf- Rodríguez, Yasmine. Let’s Become Fungal: Mycelium Teachings and the Arts. Amsterdam: Valiz, 2023.

From Breathing to Evolving

Ocean as a borderless black fluid space contains much of our unknown territory and is the habitat of our mammal relatives. In her breathtaking intimate tone, Alexis Pauline Gumbs’ book Undrowned: Black Feminist Lessons from Marine Mammals7 compiles a poetic love language together with marine biology findings, to illustrate twenty lessons learned from dolphins and whales. As we are taken between her lines to swim with the underwater community, these marine mammals turn into our mentors, teaching us to undo the human trajectory of colonization, slavery, and heteropatriarchal constructs, and guiding us to swing around differently. From these lessons, including listen, breathe, remember, collaborate, be vulnerable, learn from conflict, refuse, surrender, etc., we arrive at a new examination on human society via her deep listening to the ocean, informing our potentials for liberation and evolution in another spacetime.

7 Gumbs, Alexis Pauline. Undrowned: Black Feminist Lessons from Marine Mammals. AK Press, 2020.

Art Education in the Queering Curve

There is something in common among all these learnings, drawn from my personal encounters as well as from these amazing writers—the methodology behind them underlines non-verbal communication, deep listening, tuning of senses, and furthermore, a queer embodiment of subjectivity, space, and temporality that comes as the posthumanist resistance to the inherited imperialist understanding of the world, the destructive capitalist practice, and the heteropatriarchal sense of reproduction. How can we come to understand such queer sensibility? When Alexis speaks about listening, she is very explicit: “Listening is not only about the normative ability to hear, it is a transformative and revolutionary resource that requires quieting down and tuning in.” It is via new body politics and epistemology that we capture a threshold to “listen across species, across extinction, across harm.”8 It is via queer temporality, which in Halberstam’s term, does not follow a linear chrononormativity for reproduction, but rather “develops according to other logics of location, movement, and identification,”9 that we recognize alternative methods for building kinship and solidarity. Queer eco-feminist temporality cares about reading and tuning in with other rhythms, patterns, metabolisms, and being elastic and fluid. It is conceived through the idea of unexpected compassion and heart alignment. It may seem abstract to put these concepts into practice, but actually, it is not. I remember dearly how a sentence from Juan Ferrer, the director of Museo del Hongo, sealed a big smile on my face during another trip to Chile: “be sexy for hongo (mushroom)! Ready for fungal sex!”10

To learn from other beings is challenging, as worlds are constructed from our asymmetrical senses. I am very much blessed by my kin, artists with whom I have been working alongside closely during the past few years, who have created so many queer exercises throughout our collaboration—doing fortune-telling for alien hybrid embryos, hibernating like animals, sensing from the inner skin, going into cryptobiosis like tardigrades, making economic alliances with algae, imitating electronic products as new body postures, and so on.11 We play hard to provide alternative narratives that disrupt our existing ways of being in the Anthropocene, generating new political imaginations to unsettle the modernist ideals of progress, and enable pause for reflection. It is a new task in today’s art education to consider queering exercises as speculative, relational, transformative, and even in Alexis’ sense, evolutionary acts, especially as the redistribution of the sensible comes as more than a political practice—it is an aesthetic practice as well. As a curator, what I honestly can deliver to foster an otherwise tendency for worlding is probably to build socio-natural crossovers to allow different kinds of touching and healing. If I may tweak the word curandera for my practice, I hope I am co-creating folk remedies for our different fears, failures and sufferings.

Moon Salt (2nd edition) is a performative workshop and exhibition that imagines farming and waste management on the future moon. For the project, artist Wu Tzu-An led a “Midwives Workshop” session, guiding participants in creating fortune-telling for future hybrid embryos as a speculative game that combines a traditional poet’s game, a Mexican folk card game, and other cultural references. The event was organized by Moss Piglets and hosted by Vernacular Institute, Mexico City, in April 2022. Photo by Cristina Medellín
8 Gumbs, p.12
9 Halberstam, Judith. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York and London: New York University, 2005. p. 7
10 Juan Ferrer enthusiastically announced this amazing invitation to all the participants at the second galaFest gathering, which took place in Bosque Pehuén, near Pucón, Chile in December 2023.
11 Esther Lu founded the curatorial initiative Moss Piglets in 2021, focusing on an alternative art education program aligned with future ecology and body politics. The workshop exercises mentioned are proposed and co-created by the following artists: Wu Tzu-An, Henry Tan, Huang Ding-Yun, Wang Yung-An, Tan Zi Hao, Rice Brewing Sisters Club, and lololol.

If we never feel and think with other species, it is not possible for us to comprehend how to even begin to approach posthumanist ecological politics and the ethics of entanglement. We live on a planet where oxygen is made by phytoplankton, trees, grasses, and seaweeds, and we never give them credits, meanwhile our irresponsible production, expansion and pollution have put 47,000 species on the IUCN red list of extinction. 12 While we celebrate human civilization, technology, and democracy, the world population actually lives in the most uneven conditions and with the most unjust resource distribution in human history. The capitalist society is designed with an apocalypse clock and has disciplined us into individual achievement-subjects who live and compete in our lone bubbles. We have become oblivious to our surrounding and planetary belonging. To restore our capacity to care for and respect earth beings, these queer exercises help remind us that we could realign through a slow and long breath—a tiny step to dive into conflicts and disputes for deep time thinking.

I learned from Yasmine and Alexis that it is important to give account of personal encounters and stories. I do so for this article, as I believe that it is how we create the ritual to perceive our varying constellations, so we can compose/compost deep time together. You would learn what supports my hyphae and how we will hug and share when we meet. I would know how to swim with children of your pod. I realize I am not only from my past, but also from the future in which you participate. Deep time thinking is about rendering endless connections between you and me. It is the crocheted purple mushroom that Fer Walüng made me, the ultra-dense amber rock brought Wuby Su Yu Hsin. It is Milton’s mom singing her joy and lament in the fogón. It is the machi’s dream of us—all in animal forms. It is the glacier water we once tasted. These resilient moments resist through our intimacy, as we keep investing in and engaging with more ways of being and belonging together. May more stories spore and may we entangle deep in our mutual becoming.

12 Established in 1964, the International Union for Conservation of Nature’s Red List of Threatened Species has evolved to become the world’s most comprehensive information source on the global extinction risk status of animal, fungus and plant species. See: https://www.iucnredlist.org

1Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity 10th Anniversary Edition. New York and London: New York University Press, 2019. p. 49

2 The Aymara people, located in what is now Bolivia, Peru, and Chile, conceptualize time in reverse compared to typical Western metaphors.

3 Here I am referring to Anna Lowenhaupt Tsing as the author of The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, and Robin Wall Kimmerer as the author of Gathering Moss: A Natural & Cultural History of Mosses.

4 Valley of Possible organized a special group visit to a Mapuche machi on May 29, 2022. We spent time learning and exchanging our past and future with the machi and his wife from midday until the starry night.

5 De La Cadena, Marisol. Earth Beings: Ecologies of Practice Across Andean Worlds. Durham and London: Duke University Press, 2015., p. 5

6 Ostendorf- Rodríguez, Yasmine. Let’s Become Fungal: Mycelium Teachings and the Arts. Amsterdam: Valiz, 2023.

7 Gumbs, Alexis Pauline. Undrowned: Black Feminist Lessons from Marine Mammals. AK Press, 2020.

8 Gumbs, p.12

9 Halberstam, Judith. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York and London: New York University, 2005. p. 7

10 Juan Ferrer enthusiastically announced this amazing invitation to all the participants at the second galaFest gathering, which took place in Bosque Pehuén, near Pucón, Chile in December 2023.

11 Esther Lu founded the curatorial initiative Moss Piglets in 2021, focusing on an alternative art education program aligned with future ecology and body politics. The workshop exercises mentioned are proposed and co-created by the following artists: Wu Tzu-An, Henry Tan, Huang Ding-Yun, Wang Yung-An, Tan Zi Hao, Rice Brewing Sisters Club, and lololol.

12 Established in 1964, the International Union for Conservation of Nature’s Red List of Threatened Species has evolved to become the world’s most comprehensive information source on the global extinction risk status of animal, fungus and plant species. See: https://www.iucnredlist.org

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Author
Esther Lu’s curatorial practice explores how to build resilience toward collective metabolic recovery through engagement with both humans and the more-than-human world. Her work is rooted in collaboration, transdisciplinary research, and alternative learning, cultivating art as a medium for care, exchange, and transformative experiences in everyday life. In 2021, she founded the curatorial initiative Moss Piglets, focusing on future ecology through public learning programs, workshops, and exhibitions. 
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